Iron and Wine Samuel Beam (born July 26, 1974), better known by his stage and recording name Iron & Wine, is an American singer-songwriter. He has released four studio albums, several EPs and singles, as well as a few download-only releases, which include a live album (a recording of his 2005 Bonnaroo performance). He occasionally tours with a full band.[1] Beam was raised in South Carolina before moving to Florida to attend school and now resides outside of Austin, Texas. The name Iron & Wine is taken from a dietary supplement named "Beef Iron & Wine" that he found in a general store while shooting a film.[2][3] Early lifeBeam was raised in Chapin, South Carolina, where his father worked in land management and his mother was a schoolteacher. When he was a child, his family took regular trips to the country where his grandfather ran a farm. He attended Seven Oaks Elementary School, Irmo Middle School, and Chapin High School. While home from college, he was a waiter at California Dreaming restaurant in Columbia. Beam earned a bachelor's degree in art from Virginia Commonwealth University in Richmond, Virginia.[4] He specialized in painting. He graduated from the Florida State University Film School with an MFA degree. Before the release of the first Iron & Wine album, Beam's main source of income was as a professor of film and cinematography at the University of Miami and Miami International University of Art & Design.[5] He had been writing songs for over seven years before a friend loaned him a four-track recorder. He began making demos and gave one to his friend Michael Bridwell, brother of Band of Horses lead singer, Ben Bridwell. Michael handed it to Mike McGonigal, editor of Yeti magazine, who chose "Dead Man's Will," later released on In the Reins, for inclusion on one of his magazine's compilation CDs. Beam later came to the attention of Sub Pop Records co-owner, Jonathan Poneman, who contacted Beam to propose a deal.[6][7][8][9] Musical careerBeam released his first Iron & Wine album, The Creek Drank the Cradle, on the Sub Pop label in 2002. Beam wrote, performed, recorded and produced the album in his home studio. Featuring acoustic guitars, banjo, and slide guitar, the album's music has been compared to that of Nick Drake,[10] Simon and Garfunkel,[11] Elliott Smith,Neil Young and John Fahey. Also in 2002, Beam recorded a cover of The Postal Service's then-unreleased song "Such Great Heights". Rather than being included on an Iron & Wine release, the track was initially included as a b-side of the original version by The Postal Service. It was later included on the B-sides and rarities album, Around the Well. He then followed up on his debut album in 2003 with The Sea & The Rhythm, an EP containing other home-recorded tracks with a similar style to the songs on the debut. Beam's second full-length album, Our Endless Numbered Days (2004), was recorded in a professional studio with a significant increase in fidelity. Produced in Chicago byBrian Deck, the focus was still on acoustic material, but the inclusion of other band members gave rise to a slightly different sound. That same year, he recorded the song "The Trapeze Swinger" for the film In Good Company, and had his version of "Such Great Heights" featured in an advertisement for M&M's and in the film and soundtrack for Garden State. This version was later used in a 2006 Ask.com advertisement, and eventually released as a single in 2006 backed with recordings of "The Trapeze Swinger" and "Naked as We Came" made for Radio Vienna. In February 2005, he released an EP entitled Woman King, which expanded on the sounds of his previous LP, and added electric guitars. Each track featured a spiritual female figure, and had subtle Biblical undertones. The EP In the Reins, a collaboration with the Arizona-based rock band Calexico, was released in September 2005. Beam wrote all of the EP's songs years earlier, but Calexico added their trademark fusion of southwestern rock, traditional Mexican music and jazz to the songs' arrangements. Several tracks feature brass instruments, a first for Beam's music. The third full-length Iron & Wine album, entitled The Shepherd's Dog, was released September 25, 2007.[12] This album was voted one of the ten best of 2007 by Pastemagazine.[13] Contributors included Joey Burns and Paul Niehaus of Calexico, as well as jazz musicians Matt Lux and Rob Burger.[14] When asked to describe the album to The Independent, Beam remarked that "it's not a political propaganda record, but it's definitely inspired by political confusion, because I was really taken aback when Bush got reelected."[15] Beam has released most of his music on iTunes, including several exclusive EPs. The Iron & Wine iTunes Exclusive EP features unreleased studio recordings, including aStereolab cover and two tracks which had previously only appeared on vinyl. The Live Session (iTunes Exclusive) features Beam and his sister, Sarah Beam, performing a number of tracks from his albums, as well as a cover of New Order's "Love Vigilantes". Sarah Beam has contributed backing vocals on many of Beam's studio recordings. Beam's music has appeared in television series such as Grey's Anatomy, The L Word and House, M.D.. "Flightless Bird, American Mouth" was used in the film Twilight. The song was specifically chosen for the film's prom scene by Kristen Stewart, the female lead, and appears on the film's soundtrack. The B-sides and rarities album Around the Well was released in 2009. Iron & Wine also contributed the song "Stolen Houses (Die)" to the AIDS benefit album Dark Was the Night produced by the Red Hot Organization. On November 26, 2010 Iron & Wine released a special edition Record Store Day Black Friday 12" vinyl and CD single called, Walking Far From Home for independent record stores. Kiss Each Other Clean, Iron and Wine's fourth full-length album, was released on January 25, 2011 on Warner Bros. Records in North America and 4AD for the rest of the world.[16] Personal lifeBeam is married and a father of five daughters. He lives outside of Austin, TX with his wife Kim and family.[4][7] |
Iron and Wine Woman King Lyrics blackbird claw, raven wing under the red sunlight long clothesline, two shirt sleeveswaving as we go by hundred years, hundred more someday we may see a woman king, wristwatch time slowing as she goes to sleep black horse fly, lemonade jar on the red ant hill garden worm, cigarette ash on the window sill hundred years, hundred more someday we may see a woman king, sword in hand swing at some evil and bleed black hoof mare, broken leg eye on the shot gun shell age old dog, hornet nest built in the big church bell hundred years, hundred more someday we may see a woman king, bloodshot eye thumb down and starting to weep
Iron and Wine Boy With a Coin Lyrics Boy with a coin he found in the weeds with bullets and pages of trade magazinesclose to a car THAT flipped on the turn when God left the ground to circle the world Hey--- Oh---- Girl with a bird she found in the snow that flew up her gown, and that's how she knows that God made her eyes for crying at birth then left the ground to circle the earth Hey--- Oh---- Boy with a coin he crammed in his jeans then making a wish, and tossed in the sea then walked to a town that all of us burned when God left the ground to circle the world Hey--- Oh---- Hey--- Oh---- Iron and Wine Trapeze Swinger Lyrics Please remember me, happily By the rosebush laughingWith bruises on my chin, the time when We counted every black car passing Your house beneath the hill and up until Someone caught us in the kitchen With maps, a mountain range, a piggy bank A vision too removed to mention But please remember me, fondly I heard from someone you're still pretty And then they went on to say that the Pearly Gates Had some eloquent graffiti Like 'We'll meet again' and 'Fuck the man' And 'Tell my mother not to worry' And angels with their great handshakes But always done in such a hurry And please remember me, at Halloween Making fools of all the neighbors Our faces painted white, by midnight We'd forgotten one another And when the morning came I was ashamed Only now it seems so silly That season left the world and then returned And now you're lit up by the city So please remember me, mistakenly In the window of the tallest tower Call, then pass us by but much too high To see the empty road at happy hour Gleam and resonate just like the gates Around the Holy Kingdom With words like, 'Lost and found' and 'Don't look down' And 'Someone save temptation' And please remember me as in the dream We had as rug burned babies Among the fallen trees and fast asleep Beside the lions and the ladies That called you what you like and even might Give a gift for your behavior A fleeting chance to see a trapeze Swinger high as any savior But please remember me, my misery And how it lost me all I wanted Those dogs that love the rain and chasing trains The colored birds above their running In circles round the well and where it spells On the wall behind St. Peter So bright on cinder gray in spray paint 'Who the hell can see forever?' And please remember me, seldomly In the car behind the carnival My hand between your knees, you turn from me And said the trapeze act was wonderful But never meant to last, the clowns that passed Saw me just come up with anger When it filled with circus dogs, the parking lot Had an element of danger So please remember me, finally And all my uphill clawing My dear, but if I make the Pearly Gates I'll do my best to make a drawing Of God and Lucifer, a boy and girl An angel kissin' on a sinner A monkey and a man, a marching band All around the frightened trapeze swinger Nah nah nah Nah nah nah Nah nah nah |